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The WS, RainSong's Signature Guitar, is a wonderfully versatile instrument. Combining the best qualities of large and small bodied guitars, it is ideally suited for a variety of musical situations. A large, deep chamber gives the WS strong projection and rich bass. The narrow waist and tight upper bout allow for a ringing treble, good balance and clear definition of individual notes.Overall, the WS is impeccably balanced. The shapely curves and light weight make the WS a comfortable guitar to cradle or stand with. The extra deep cutaway encourages playing up the fretboard.
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The OM Model is the smallest and most refined of all RainSong shapes. It is our most comfortable and intimate guitar, with an immediacy of presence that makes it a favorite with the coffee house crowd. A crystal bell clarity, balance, superb separation of individual notes, and an expansive dynamic range make the OM one of our most individually expressive guitars. Because of Projection Tuned Layering(TM), the OM is capable of strong projection. It won't rattle windows like the Jumbo or the Dreadnought, but the OM, when driven, packs a lot of power and punch for a small bodied guitar.
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How do you describe RainSong's JM? Three words: loud, loud, and loud. And if that's not enough, it's also loud. This is the largest body RainSong builds. The sheer size, combined with the attributes of Projection Tuned Layering(TM) make the JM one of the loudest acoustic guitars on the planet. This guitar is loud. We had to say it again. But the JM is not just about power. The narrow waist and some layering refinements specific to the Jumbo soundboard give the JM some real fingerstyle grace. The guitar is strong, but impeccably balanced, with bass, mids and trebles distinct, clear and, dare we say it again, loud.
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The Dreadnought is the traditional workhorse of acoustic guitar music. With a large, deep body and wide waist, RainSong's DR has the powerful bass and ringing treble of a great rhythmic guitar, but still maintains a wonderfully balanced sound, with clear distinction among individual notes. From rhythm to lead, the DR makes its presence known. Capable of cutting through admirably in any acoustic setting, the DR is loud enough to compete with banjoes, mandolins and other traditional volume hogs.
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